摘要
曹操形象塑造的渐进性大致可分成三个阶段:从出场到荡平袁绍及其余党是曹操生平的第一阶段。"如国家无孤一人,正不知几人称帝,几人称王"[1]534是这一阶段的主题。这之后到潼关战胜马超是第二阶段,"子治世之能臣,乱世之奸雄"[1]9可以概括,主要描述了这位"乱世奸雄"的几大"奸性",红脸曹操慢慢地变成了白脸奸臣。第三阶段是从潼关之役结束到曹操死去,是"宁使我负天下人,休教天下人负我"[6]的全面暴露,描写了曹操的极端自私性,完成了反面形象曹操的最后定型。
Cao Cao＇s progressive image building can be broadly divided into three phases. That Cao Cao suppressed the insurgents and remnants of Yuan Shao is the first phase of Cao Cao＇s biography. ＂If the country had not been me alone, there would have been many self-proclaimed emperors and kings＂ is the theme of this phase. From that suppression to his defeat against Ma Chao at Tongguan is the second phase, ＂at times of peace and prosperity an official who can be a capable Minister to rule the country, at troubled times the King＇s Men who achieves high position by unscrupulous scheming＂ can be his description; his several traits of the ＂ King＇s Men in troubled times＂ are revealed. The third phase is from the end of Tongguan Battle to the death of Cao Cao, ＂Better to wrong the world than have it wrong me＂ is the overall exposure of his extreme selfishness, completes his negative image of the final shape.
出处
《清远职业技术学院学报》
2010年第1期14-20,共7页
Journal of Qingyuan Polytechnic
关键词
《三国志通俗演义》
曹操
形象塑造
渐进性
＂Romance of the Three Kingdoms＂
Cao Cao
image building
progressiveness
