摘要
唐太宗李世民对中国历史的影响不仅限于政治领域,更在于艺术领域。秉承传统儒家的"人"学思想,在艺术学理论方面,李世民形成了关乎主体自觉的人本艺术观。主要为三方面:一是艺术创作的方法论;二是艺术鉴赏与艺术批评的标准;三是艺术的功能论。
The Tang Dynasty Emperor Li Shimin had the impact on Chinese history is not limited to the political sphere, but also the Arts sphere. Inheriting the traditional Confucian ＂ person＂ learning thinking, Li Shimin formed a self - conscious about the main person in art theory. It mainly focuses on the following issues ： the methodology of artistic creation, the standard of arts appreciation and arts criticism and the function of Arts.
出处
《艺术百家》
CSSCI
北大核心
2010年第4期121-125,共5页
Hundred Schools In Arts
基金
国家"211工程"三期"艺术学理论创新与应用研究"项目阶段性成果之一
