摘要
从孔子的"绘事后素"的艺术主张谈起,论述了艺术心境的特征,并认为中国现当代文学发展不充分的一个根本原因是"理"(理性、理论、思想)先"文"(文学、文学创作)后的创作模式,这破坏了作家艺术感觉的纯正性和完整性,无法达到"绘事后素"的艺术效果。
This paper starts with Confucius' artistic doctrine of Huishi hou su (whitening the wall before painting on it),elaborates on the features of the artistic framework of mind,and argues that the fundamental reason for the inadequacy of the development of the modern and contemporary Chinese literature lies in the creative pattern that 'reason' (rationality,theory and thought) precedes 'product' (literature and literary creation).This spoils the purity and integrity of the artistic feelings of the artists,and poses difficulties to the attainment of the artistic effect of 'whitening the wall before painting on it.'
出处
《汕头大学学报（人文社会科学版）》
2010年第3期30-35,共6页
Journal of Shantou University(Humanities and Social Sciences Edition)
关键词
“绘事后素”
艺术感觉
艺术心境
'whitening the wall before painting on it'
artistic feelings
artistic framework of mind
