摘要
关汉卿的重要剧作和曲作都是通过明代人的整理与保存才得以流传至今。但明代人对关汉卿的评价并不高,这反映出明代戏曲观念与关汉卿作品之间的隔膜与差距,也从侧面显示出关汉卿艺术创作的独特性和超越性。
Most of GUAN Han-qing＇s important dramatic works and songs were clarified and saved by people in Ming Dynasty.However,their evaluation on him was not very high.It,on one hand,reflects the different dramatic ideas between them;And on the other hand,it also reflects the uniqueness And transcendentality of GUAN＇S artistic creation.
出处
《徐州工程学院学报（社会科学版）》
2010年第3期74-79,共6页
Journal of Xuzhou Institute of Technology：Social Sciences Edition
关键词
关汉卿
明代
戏曲理论
戏剧观
GUAN Han-qing
Ming dynasty
drama theory
dramatic idea
