摘要
受"他律"、"通律"的影响,团体操始终无法建立"自律"理论,导致有着百年发展史的中国团体操陷入"终结论"的当代境遇。通过历史而逻辑地分析,对团体操概念进行再定义,指出"集体体育配合动作"是团体操存在的本体,"有意味形式的大场面表演效果"是其表现形式,而对多种集体体育配合动作的艺术编织是其表现手法;并进一步指出时代进步下审美和文化诉求的提升,是促使我国团体操演变的主要动力。对中国团体操而言,这既是一次学理上的辩护和再认识,也是对保护和发展这一广场体育表演艺术所作的尝试性探究。
The study re-defines the concept of group calisthenics by making historical and logical investigation and indicates that ＂collective cooperation action of sports＂ is its ontology,and ＂the performance effect for spectacular appearance of significant form＂ is its performing form,and many kinds of ＂collective cooperation action of sports＂ through ＂artistic weave＂ is its main performing technique.Furthermore,the improved taste of beauty appreciation and the demand of culture under the development with the time are the main impetus for the evolution of china＇s group calisthenics.The purpose is to review the contemporary condition of China＇s Group Calisthenics.For China＇s Group Calisthenics,it is not only a kind of defense of its ＂self-theory＂ and re-understanding to it,but an exploratory study for protecting and developing it.
出处
《北京体育大学学报》
CSSCI
北大核心
2010年第5期122-125,共4页
Journal of Beijing Sport University
关键词
中国团体操
境遇
本体
再定义
思考
China group calisthenics
contemporary condition
ontology
re-define
review
