摘要
汉代诗歌在当时的主要扩散途径是音乐传播。它在社会上下层两个文化空间同时展开,主要用于各种仪式场合及游宴娱乐环境。传播的行为主体涵盖了各个阶层,其中乐工歌妓占主导地位。所传诗歌既有民间歌谣,又有皇帝、文人及乐人之作,还有献诗、即兴之作等,在实际配乐演唱时大多要经过乐工的增损。传唱的方式按照表演人数的多寡、参予的程度可分为独唱、伴唱和齐唱;按照表演的艺术方式则可分为清唱与和唱两类,其中和唱又可分为人声和唱与器乐和唱。音乐传播对汉代诗歌发展具有重要影响:扩大了受众面,促进了创作,加强了社会上下层的交流,使诗歌风格走向通俗化。
The chief channel of spreading the Han Dynasty Poetry is its musical dissemination.The poetry is handed down between the social upper and the lower classes,mainly employed in ceremony and entertainment.The subjects include people of all walks of life,but the singers once for a while play a dominating role in it.Popular ballad,congratulatory poetry,extemporization and works from emperor,literati and musician are sung by singers;however,while musicalizing these works,musicians may modify them.The mode of dissemination mainly including solo,accompany and unison.The performance styles are in two forms： cantata and chorus.The latter can be further divided into vocal and instrumental singing.The musical dissemination exert a significant influence on the development of the Han Dynasty Poetry;on the hand,it increases different audiences,enlarge the communication between the upper and lower classes;on the other hand,popularizes the style of the poem.
出处
《首都师范大学学报（社会科学版）》
CSSCI
北大核心
2010年第3期89-95,共7页
Journal of Capital Normal University：Social Science Edition
基金
国家社科基金青年项目"中国古代诗歌音乐传播研究"(06CZW005)
关键词
汉代
诗歌
音乐传播
Han Dynasty
poem
musical dissemination
