摘要
文章分析了东京工业大学藏前会馆设计以及坂本一成的建筑设计方法论。与标榜"简明性"的当代建筑中追随形式感的潮流不同,坂本的建筑形式给人以"晦涩"的非明晰印象。当这种"晦涩"被置于一个更大的社会秩序下、从"日常性"支配的人类生存世界的层面来看时,其丰富性是显而易见的。
With the design background of Tokyo Tech Front,this article introduces Sakamoto Kazunari＇s architectural design methodology.In Contrast with seeking an＂understandability＂form which is a popular trend in contemporary architecture, Sakamoto＇s architectural forms give people a kind of＂incomprehensibility＂impression.When this＂incomprehensibility＂is placed to a even wider social order,and with the human existence world dominated from＂Ordinary＂,richness can be evidently found.
出处
《时代建筑》
2010年第3期136-141,共6页
Time + Architecture
关键词
连续
晦涩
简明
日常
Continuous
Incomprehensibility
Understandability
Ordinary
