摘要
古代不同时期的戏曲批评家对"元曲四大家"及地位存在不同的见解,这其实反映了他们不同的戏曲批评观。从这不同的戏曲批评观中,我们可以梳理出古代戏曲批评观的变化情况,总的来说,经历了重音韵的顺畅,到重音律标准和曲词的情感本色,到最后注重剧本创作这样一个过程。
The divergent arguments concerning the ＂Four Masters of Yuan Dynasty Opera＂ and their achievements reflect the different views of the drama critics in different periods.From these differences we can trace the clue of the evolution and change of ancient drama criticism,which in general has experienced the change of critical emphasis from phonology,language distinction and the creation of opera script.
出处
《江苏广播电视大学学报》
2010年第2期44-47,共4页
Journal of Jiangsu Radio & Television University
关键词
元曲四大家
戏曲批评
音韵
本色
剧本创作
four masters of Yuan dynasty opera
drama criticism
phonology
language distinction
the creation of opera script
