摘要
荷兰绘画艺术的繁荣既得益于新教卡尔文教派反对偶像崇拜的教义主张,受益于荷兰经济的推动,又加上继承了尼德兰的民族文化传统,使绘画艺术在荷兰完全摆脱了天主教会、宫廷和贵族的垄断,真正融入荷兰人的日常生活。本文以维米尔代表作《画室》为出发点,以此辐射出17世纪荷兰的宗教、经济、民族文化传统。
The prosperity of the Netherlands painting art had the benefit of proposition of Calvin Protestant denomination opposed to idol worship,had the benefit of the Dutch economic boom,and Dutch painting art inherited the national cultural traditions from the Netherlands,so the Dutch painting art cast off completely the monopoly of Catholic Church,court and the aristocrat,and it really mix together the Dutch daily life.Based on the analysis of Vermeer＇s masterpiece-- Studio ,the essay opens out the religion,economy and national cultural traditions of Dutch in the 17th century.
出处
《中国科教创新导刊》
2010年第1期153-153,156,共2页
CHINA EDUCATION INNOVATION HERALD
关键词
维米尔
画室
宗教
经济
民族文化传统
Vermeer
Studio
religion
economy
national cultural traditions
