摘要
玄言诗在东晋盛行有百年之久,在这期间,山水诗也在发展着,它们之间互相交融,彼此消长。东晋后期湛方生的山水诗已是较成熟的山水诗了,此时玄言诗与山水诗的消长已发生倾斜,山水诗呈蓄势尽发的态势。刘宋时的谢灵运、鲍照对山水诗的成熟壮大起到了关键作用。谢灵运以写景细腻精致擅长,鲍照以取景奇异感情炫魄著称,二者又程度不同地都融情于景。谢诗承继玄言,而又降其为附庸;鲍诗无承老庄,激抒胸襟块垒。二人对玄言诗的消退和山水诗的勃兴的贡献至为重大。
Metaphysical poetry had been prevalent for about one hundred years in the Eastern Jin Dynasty, and during this period the landscape poetry was also developing. They were blended and developed with mutual growth and decline. The landscape poetry by ZHAN Fang-sheng who lived in the latter part of the Eastern Jin became mature. At the same time, landscape poetry was gaining an upper hand over metaphysical poetry. XIE Ling-yun and BAO Zhao, who lived in Liu-Song Dynasty, played a key role in the growth and maturity of landscape poetry. XIE Ling-yun was versed in exquisite portrait of scenery while BAO Zhao in unique description of scenery and thrilling feelings. Both of them are good at expressing feelings by way of scenery in various degrees. XIE inherited metaphysics but applied it as a vassal, while BAO did not inherit anything but expressed his own feelings violently. They made a significant contribution to the declining of metaphysical poetry and flourishing of landscape poems.
出处
《十堰职业技术学院学报》
2010年第2期67-70,共4页
Journal of Shiyan Technical Institute
关键词
玄言诗
山水诗
谢灵运
鲍照
metaphysical poetry
landscape poems
XIE Ling-yun
BAO Zhao
