摘要
肖邦终生献身于钢琴,他使旋律与富于色彩的和声都彻底地"钢琴化",创造了极具特点的"花腔"式旋律,并将"花腔"式旋律运用在各种体裁的作品中。尤其在f小调《第二钢琴协奏曲op.21》中,其"花腔"式旋律在该作品中的得以尽情的发挥。文章以该作品为例,对肖邦"花腔"式旋律进行研究。
Chopin dedicated all his life to the piano, and he made the melody and colorful harmony in piano style completely, created the individual coloratura melody, and used it in the works of variety of genres, especially in his Piano Concerto No. 2 in f minor, Op. 21. Taken that work as an example, the papers researched Chopin＇s coloratura melody that full played in the piece.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2010年第2期190-196,共7页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
弗里德里克·弗朗索瓦·肖邦
第二钢琴协奏曲
花腔
旋律
Frédéric Fran?ois Chopin(1810-1849)
Piano Concerto No.2 in f minor
Op.21
coloratura
melody
