摘要
在明末清初的传奇中,对以前同题材杂剧和小说作品的改编、重构,都存在一个不易觉察而又耐人寻味的"洁化"现象。究其原因,缘于剧作家"思借戏场维节义"的自我努力,还缘于顺治到康熙清代文化政策调整的影响。"维节义"中重表贞而轻表忠,在于清初士人不满于满族统治,故难述"忠"愿,因此选择表"贞"来扭转世风,救济世道。
There exists a subtle phenomenon in dramas of the late Ming and early Qing Dynasties：Emphasis on chastity. The reason is that the drama playwrights wanted to maintain moral quality through their works and were influenced by the adjustment of cultural policy of the Qing Dynasty. They were not content with Manchu＇s reign and felt hard to express loyalty,therefore,they chose chastity to transform the social traditions.
出处
《烟台大学学报（哲学社会科学版）》
CSSCI
北大核心
2010年第1期64-68,共5页
Journal of Yantai University(Philosophy and Social Science Edition)
基金
中国留学基金委基金项目留金出(20073020)的阶段性成果
关键词
明末清初
传奇
贞节
“洁化”现象
the late Ming and early Qing Dynasties
legend
drama
chastity
