摘要
儒家《诗》学是清代词学理论的重要源泉。从最初在形式、内容上的攀附《诗经》,并利用孔子删诗的问题为词辩护,到从理论根基、审美原则、诠释方式三个方面系统吸收《诗》学理论,清代词学理论的构建受到了来自儒家《诗》学话语方方面面的影响。其中动因有词体本身"尊体"的需要,也有词学构建者经学背景的因素。《诗》学话语的渗入,虽说成为主流经学意识影响词学的重要方式,但也客观上提升了词体的地位,丰富了词学理论。当然从另一个角度来说,这种词论的儒家化也从根源上导致了晚清词学的衰落。
The Confucian dicourse of The Book of Songs is an important source of the Ci study in the Qing Dynasty. By systematic absorption from The Book of Songs as the theoretical foundation,aesthetic principles and methods of interpretation,the construction of the Ci study in the Qing Dynasty has been affected by the phrases from The Book of Songs at all aspects,either from the original intentional connection both in form and contents,or the defense for phrases on Confucius Deleting poems. The permeation of the Ci study has objectively raised the status of Ci and enriched the Ci theory. But such a Confucianized theory,on the other hand,has substantially led to the decline of the Ci study in the late Qing Dynasty.
出处
《烟台大学学报（哲学社会科学版）》
CSSCI
北大核心
2010年第1期57-63,共7页
Journal of Yantai University(Philosophy and Social Science Edition)
关键词
清代词学
《诗》学
诗教
审美
诠释
Ci study in the Qing Dynasty
The Book of Songs study
The book of Songs education
aesthetic
interpretation
