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论青藏高原油画主题创作群的语言与审美

On the Languages and Aesthetics of the Oil Painting School on the Theme of the Qinghai-Tibet Plateau
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摘要 青藏高原油画主题创作群用不同的视觉关注同一个题材,用不同的语言与审美表现中华传统文化艺术在青藏高原地区的特殊显现。青藏高原丰富的传统文化以及浑厚、质朴的原始美,滋润和养育了这些创造不同品味艺术作品的艺术家,繁荣了中国当代油画创作。艺术家们有的从青藏高原人民的外貌体表中产生创造的张力,并得到超越真实形象的有机生命感;有的通过表现对青藏高原大自然的崇敬来表达人类的情感;有的从藏袍、藏刀以及异域的外表"猎奇"中,寻找生活的慰藉,探求对青藏高原的印象;有的运用一种绘画"套路"来完成其商业运作的目的,煽动了一种浮躁风。无论艺术家运用哪一种手段和思路,他们都在探索自己的创作语言,实现自己的审美理想。 The Oil Painting School on the theme of the Qinghai-Tibet Plateau embodies different visions to create the same theme and different language and aesthetics to represent Chinese traditional culture and arts through their unique exhibition in the Qinghai-Tibet Plateau area. Possessing rich traditional culture and exuberant and rustic original beauty, the Qinghai-Tibet Plateau nourished and nurtured these artists who create work of arts with different tastes, flourishing Chinese contemporary oil painting creating. Some artists create tension through surface appearance and obtain a sense of organic life transcending real image, some express human feeling by showing reverence for the grand Qinghai-Tibet Plateau, some pur- sue the solace of life and explore the impression of Qinghai-Tibet Plateau by means of Tibetans' robes and swords, seeking novelty from oddly appearance, some achieve its business purpose from using a kind of painting "routines", thus bringing about a sort of impetuousness. No matter what means and ideas are used, the artists are exploring their own creating vehicles and fulfill their own aesthetic ideals.
作者 刘文斌
出处 《广西师范大学学报(哲学社会科学版)》 北大核心 2010年第2期82-86,共5页 Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
关键词 青藏高原 油画主题创作群 语言 审美 the Qinghai-Tibet Plateau the Oil Painting School vehicle aesthetics
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