摘要
安贝托·艾柯的阐释学理论主要体现在两个方面:阐释的无限与有界。阐释的无限开放性集中体现在20世纪60年代艾柯的《开放的作品》这一知名学术著作中。艾柯将欣赏者和接受者置于重要地位,提倡接受者对作品的阐释过程应积极参与。然而,随着德里达、保罗·德曼、希利斯·米勒等解构主义思想家们所倡导的批评方法的激发,在阐释实践中读者阅读文本的权利不断扩张,呈现出了"无限衍义"的情形。针对此现象,艾柯在20世纪80年代末和90年代初明确提出应该为文本阐释设定某种界限的理论,力图为阐释寻找一种合法的界限,在作者、作品和读者之间保持一种平衡。
Unlimited and bounded interpretations are two aspects of Umborto Eco＇s hermeneutics. The unlimited openness of interpretation is fully embodied in the Open Work, a famous academic monograph by Eeo published in the 1960s. Eeo has attached great importance to the appreciator and the reader, encouraging the active interpreta- tion participation from the acceptor. However, inspired by the critical approach advocated by deconstructionist theorists, such as Den-ida, Paul de Man and HiUis Miller, the right of the reader to interpret the text in practice has expanded gradually, resulting in unlimited interpretations to which Eco put forward a theory to impose a certain limit to textual interpretation in the late 1980s and the early 1990s in an attempt to keep balance between the author, the text and the reader.
出处
《湖南工业大学学报（社会科学版）》
2010年第2期41-43,共3页
Journal of Hunan University of Technology(Social Science Edition)
