摘要
在图像转向的大背景下,博物馆作为公共文化设施,承担着越来越重要的文化功能。作为一个有效的再现系统,妇女文化博物馆使性别意义的公共交流成为可能。妇女文化博物馆为我们提供了一个类似于乌托邦的情境,参观者能暂时性地从男性社会中剥离出来,自觉地消解强加于女性的虚假形象,从而顺利实现自我认同并获得平等的自我承认。
In the background of the pictorial turn, museums as public cultural facilities bear an increasingly important cultural function. As an effective system of representation, museums make it impossible to exchange gender significance in public. Museums are always the place contested by all kinds of collective memories, and the oppressed women have never abandoned their dream of representing collective historical memory. In any representation of women, identity is more important. Museums provided us with a Utopia situation, in which visitors can temporarily stripped from the patriarchal society. At the same time, they refused to an imposed false image, thus we can realize smoothly self-identity and acquire equal self-recognition.
出处
《河南社会科学》
CSSCI
北大核心
2010年第2期139-141,共3页
Henan Social Sciences
基金
2006年度国家社科基金项目(06BZW015)
陕西省教育厅科学研究计划项目(09JK272)
关键词
博物馆
再现
公共领域
社会性别
身份认同
Museum
Representation
Public Sphere
Gender Culture
Identity
