摘要
作为一个审美范畴,"距离"概念源于康德的"审美无利害性"命题;在现代语境中,康德的审美距离观发生了命意转换和命意增殖。本文立足于从文化社会学的语境来阐释距离命意的诸种表征,如个体救赎、艺术自律和社会批判等。透过这些命意,审视"距离"如何体现并表征了当下的文化形态和逻辑。
As an aesthetic category,distance originated from Kant's proposition of 'non-utilitarian aesthetic'.In modern context,the meanings of Kant's aesthetic distance have changed and proliferated.Based on the context of cultural sociology,we could interpret the representations of distance,such as individual redemption,artistic autonomy and social criticism,etc.In addition,we could examine the ways of distance embodying and representing the present social forms and cultural logic.
出处
《外国文学》
CSSCI
北大核心
2010年第2期108-115,共8页
Foreign Literature
基金
湖南省哲学社会科学基金项目“现代性和审美救赎”(09YBA142)
