摘要
宋金元时期,王维的画作被广泛题咏,获得了极高的赞誉,尤其是《辋川图》成为了一个象征符号。而对王维诗的接受,则远不及画广泛。文章通过大量的文献分析,指出王维画因表现了文人士大夫超然脱俗、向往自由闲适的情怀,体现了文人画注重写意的审美趣味而备受推崇。而王维诗始终没有成为接受的热点和重点,主要原因在于论者以儒家的文用观、文德观和重气主健的审美观为原则,对王维诗的欠缺不足提出了批评。从而揭示出宋金元时期王维接受与社会政治、时代风气以及文艺观念密切相关。
Wang Wei＇s paintings were highly appreciated during the dynasties of Song, Jin and Yuan, among which, the painting Landscape of Wangchuan Valley was most popular and almost became his nickname. In comparison, his poems fell far behind his paintings in liberal assessment. With large amounts of historic documents in reference, the difference may be attributed to the specific social and political atmosphere and the related liberal art ideology of these three dynasties. It shows that Wang Wei＇s pursuit of a uninhibited and unrefrained way of life and heaverdy leisure was usually found hinted in his paintings, which as a matter of fact was in accordance with the prevailing idea of self expression from the men of letters of the period, while his poems were criticized for lacking in pragmatism and aspiring tone which was then much upheld as part of prevalent Confucianism.
出处
《西北大学学报（哲学社会科学版）》
CSSCI
北大核心
2010年第2期43-48,共6页
Journal of Northwest University：Philosophy and Social Sciences Edition
基金
教育部人文社会科学研究项目基金资助"历代王维接受研究"阶段成果(09YJA751070)
关键词
宋金元
王维
《辋川图》
dynasties of Song, Jin and Yuan
Wang Wei
Landscape of Wangchuan Valley
