摘要
罗兰·巴特将日常生活的种种事物及日常生活本身看作带有乌托邦色彩的符号,在他的《神话学》一书中试图发现日常"神话"表象背后的意义,并力图在日常中达到"去神话"的目的。他的《时尚体系》一书以流行服饰中的"书写服装"为研究对象对这一体系进行符号学分析,他从中发现女性在时尚中从读者衍变为"模特"这一异化现象。
Roland Barthes regarded all the things in everyday life and everydayness itself as symbols filled with utopian characteristics. In his Mythologies, he tried to decode the meaning behind everyday ＂myths＂ so that he can fulfill his task of ＂demythologizing＂ the everydayness. Barthes＇s The Fashion System which chose the ＂written garment＂ as research subject carried out semiotical analysis of such a system, from which he found that women were transformed from readers into ＂models＂ in fashion industry.
出处
《南阳师范学院学报》
CAS
2010年第1期97-103,共7页
Journal of Nanyang Normal University
关键词
日常生活
乌托邦
神话
时尚
everyday life
utopia
mythology
fashion
