摘要
汪曾祺的戏剧创作属于一种小说抒情话语优势下的文学赋形,戏剧创作成为小说观念的跨文体实现,在思想内容、叙事方式、文体风格等多方面表现出明显的小说特质。而文学诗情的渗透最终使得创作背离了戏剧性叙事的文体特性,转向抒情的艺术得失影响到戏剧创作的发展和收获。
Wang Zengqi's drama inditement really employs the style of his novels, which makes drama inditement the realization of the concepts of novels between the two styles and clearly shows the characteristics of novels in ideas, ways of narration and style. Saturation of the mood of poetry ultimately makes drama inditement swerve from its characteristics of narration, while its convertion to the style of lyric art constrains his improvement and achievement in drama inditement.
出处
《中国文学研究》
CSSCI
北大核心
2010年第1期116-118,127,共4页
Research of Chinese Literature
关键词
汪曾祺戏剧
文学性
抒情转向
叙事文体
Wang Zengqi's drama
literariness
lyric convertion
style of narration