摘要
不同的叙事视角具有不同的功能。在白居易的《长恨歌》中,叙事视角呈现出由第三人称全知叙事逐渐向人物叙事转换的趋势,在这个过程中,由于两种视角功能各不相同,使诗歌的主题出现了由批判讽刺向同情惋惜的转移。而叙事视角转换的推动力,则来自"人"在叙事中的核心地位。
Different narrative point of view has different functions. In Changhenge written by Bai Juyi, the narrative point of view changes from the omniscient and omnipotent third person to figure narrative. With the change of the narrative point of view, the poem theme also changes from criticism and irony to sympathy and regret. The driving force of this change comes from the core status of ＂human＂ in the narration.
出处
《南京审计学院学报》
2010年第1期80-83,共4页
journal of nanjing audit university
关键词
《长恨歌》
叙事视角
功能
主题
Changhenge
narrative point of view
function
theme
