摘要
当代中国随着现代化进程的加快以及城市化的发展,新的民间语境渐次形成。在新的民间语境中,民间美术的创作、传播、接受和功能等都发生着巨大变化。为顺应新的民间语境,需要对民间美术的创作和传播作出自觉的调适和革新;同时,对新民间语境的自觉关注,将有助于民间美术研究理论的完善和研究范式的转换。
With the quick development of modernization and urbanization of China, the new folk context is gradually forming. In the new folk context, the creation, dissemination, acceptance and function of folk art is taking place great changes. Therefore, the conscious adaptation and innovation to the folk art creation and dissemination is necessary in order to be compatible to the new folk context. At the same time, the conscious concern on the new folk context will facilitate the optimization of the oretical studies and change of research models of the folk art.
出处
《西北民族大学学报（哲学社会科学版）》
CSSCI
2010年第1期152-156,共5页
Journal of Northwest Minzu University(Philosophy and Social Sciences)
关键词
新民间
民间美术
乡村
城市
new folk
folk art
rural areas
urban areas
