摘要
从景观设计中的虚实与中国留白内涵出发,对其创作思想、空间构成手法和意境的创造进行对比研究,提出它们在虚实空间营造过程中存在着内在联系,以中国画留白的理论来指导景观设计的实践。
Taking emptiness and solidness in landscape design and connotation of blank space in traditional Chinese painting as the objects, this paper comparatively studied their creation idea, space composing tech- nique and artistic conception creating, put forward that they had internal relation during the constructing process of empty and solid spaces, and conducted the practice of landscape design by the theory of blank space of traditional Chinese painting.
出处
《西北林学院学报》
CSCD
北大核心
2010年第1期198-201,共4页
Journal of Northwest Forestry University
关键词
景观设计
虚实
中国画留白
空间
意境
landscape design
emptiness and solidness
blank space of traditional Chinese painting
space
artistic conception
