摘要
唐代诗人将《诗经》作为对抗齐梁浮艳诗风与形式主义创作倾向的旗帜。初唐陈子昂诗歌革新有"风雅兴寄"的呐喊,盛唐杜甫有"别裁伪体亲风雅"的创作实践。而屈宋及其《楚辞》,到了盛唐,才引起诗人们的高度重视与热情赞美。李白与杜甫,对屈骚精神更是推崇备至。李白称"屈平词赋悬日月",杜甫认为"窃攀屈宋宜方驾"。中唐元、白、韩、柳,再到晚唐皮、陆均是《诗经》精神的继承者。至于屈骚精神,也得到了中、晚唐诗人普遍而自觉的接受。
The poets in the Tang Dynasty took The Book of Songs as a flag against showy style and formalistic creative tendency.At the peak of the Tang Dynasty,Qu Yuan and Chu Ci aroused the poets attention and passionate praise.Li Bai and Du Fu hold Qu Yuan s spirit in high esteem.In the middle and late Tang Dynasty,the spirit of Qu Yuan and Li Sao was widely and consciously accepted by poets.
出处
《南京师范大学文学院学报》
CSSCI
2009年第4期133-142,共10页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
唐人
《风》《骚》情结
poets in the Tang Dynasty
the complex of The Book of Songs and Li Sao
