摘要
马克思在《1844年经济学哲学手稿》中认为,"美的规律"是人类实践中所遵循的规律之一。文章进一步认为,语言文字的建构中同样遵循着"美的规律"。由此以实证的方法探寻出汉字系统中所蕴藏的"中和"、"神妙"、"气韵"、"意境"等多种审美形态,并得出结论:汉字创造具有极高的艺术审美价值,它是汉民族审美思维的产物。
In Economic and Philosophical Manuscripts of 1844, Karl Marx believed that the ＂Law of Beauty＂ is a law that people follow in human practice. Furthermore, the author points out that the construction of languages also follows the ＂Law of Beauty＂. With an empirical approach, this paper explores the traditional Chinese aesthetic categories which Chinese characters have inside, and points out that Chinese characters have high artistic and aesthetic meanings. Chinese characters are the products of aesthetic thinking of ethnic Han and reflect profound aesthetic consciousness.
出处
《浙江工业大学学报（社会科学版）》
2009年第3期340-344,共5页
Journal of Zhejiang University of Technology：Social Sciences
关键词
传统审美形态
美学建构
中和
神妙
气韵
意境
traditional Chinese aesthetic category
aesthetic construction
zhong he
shen miao
qi yun
yi jing
