摘要
古琴作为我国最早的弦乐器之一,是中国古典音乐文化的典型代表,蕴涵着丰富的音乐美学思想。以往关于古琴音乐的审美意象多从传统儒道思想的"中正平和""清微淡远"对其本体进行阐述,而忽略了其生成过程中的"情""景"关系问题。"情"与"景"这对范畴由宋代诗论家提出,本是用以探讨诗歌审美意象的构成和类型,然则诗与乐两种艺术形式的诸多共通性使得古琴音乐审美意象生成的情景说阐释更具特殊意义。
The feeling and setting theory not only offers a good understanding of poems but also helps us recognize some Guqin music aesthetic images.As a traditional Chinese instrument,Guqin are popular among people.The mutual effects of feeling and setting have blended their harmony into aesthetic images of the Guqin music and combined perfectly in this music.
出处
《艺术探索》
2009年第6期46-48,共3页
Arts Exploration
关键词
古琴音乐
审美意象
“情”
“景”
Guqin music
aesthetic image
feeling and setting theory
