摘要
《古诗十九首》属于东汉末年中下层宦游文人的作品,它上承汉乐府、下启建安文学,从主题、形式、表现手法等方面都显现了其过渡性所在。《古诗十九首》是社会动荡、价值观念体系崩溃的文人心声的抒情载体,特殊的情感心理开拓了后代的"寒士悲秋"、"闺妇伤春"的文学典型范式。哲理性的加强以及更加关注自我、人生的特点,与后来的"建安风骨"相应和;抒情性的加强和五言诗模式的形成是它形式与表现的过渡性特征。因此《古诗十九首》具有不同于此前、此后的诗歌而又与之相关联的过渡性特点。
Nineteen Ancient Poems were works of the scholars in last years of Donghan Dynasty who were in middle or lower classes and wanted to become people of high rank, which carried on the style of Han Yuefu, enlightened the beginning of Jianan Literature, showed the transitional feature from the subject, the form, and the way of expression. Nineteen Ancient Poems expressed the scholars＇ ideological level and reflected the disorderly society and the collapse of value conception system. The special emotional expression developed the pattern of the later typical literature. Nineteen Ancient Poems accorded with the feature of ＂Vigor of style of Jianan＂, which included the increase of philosophy and paying more attention to oneself. It is the transitional feature that the strength of expressing emotions and the pattern of ＂five words poem＂. Accordingly, Nineteen Ancient Poems are different from the other poems but associate with them. It showed the transitional feature of Nineteen Ancient Poems
出处
《天水师范学院学报》
2009年第6期91-94,共4页
Journal of Tianshui Normal University
关键词
东汉
宦游文人
《古诗十九首》
过渡性
Donghan Dynasty
lyrical scholars
Nineteen Ancient Poems
transitional features
