摘要
以唐代敦煌千佛洞针孔漏版佛像为研究对象,运用文献与模拟实验相结合的方法对其印刷技艺进行了研究。认为:①唐代敦煌针孔漏版的纸基是由多张单层纸经裱糊、碾砑而成;②针孔漏版的制作是先在纸基上涂刷油或漆后,再用针按图像轮廓扎出许多细孔;③唐代敦煌针孔漏版在印刷时表面极可能覆盖了丝网。
Applying the simulation experiment and document to the workmanship of the image of Buddha of paper stencil with perforated in the Tunhuang in Tang dynasty, the researchers have drawn the conclusions on the print, such as： firstly the paper matrix made of a few of single paper by way of mounted and mangled. Secondly needling the painted paper matrix along the outline of the image of Buddha. Finally it is probable that the paper stencil with perforated in the Tunhuang in Tang dynasty were covered with screen when it is pressed.
出处
《北京印刷学院学报》
2009年第6期1-5,共5页
Journal of Beijing Institute of Graphic Communication
关键词
纸制针孔漏版
模拟实验
研究
paper stencil with perforated
simulation experiment
research
