摘要
数字特技对电影的长驱直入,使传统特技对电影的作用由"缝缝补补的针"变为"开天辟地的斧",并且对电影本体论进行了解构。数字特技使电影的本性——"奇观"得以彰显。"奇观"的高难度极致状态有令人振聋发聩的美学效应,又具有"语言叙述"的叙事功能,更有象喻与点题作用。奇观与虚拟美学血肉相连,符合并满足消费时代的受众需求。所以,数字特技对电影本体论貌似颠覆性的解构实质是革命性建构作用。
The application of DSE （ Digital Special Effect） in movies makes the functions of traditional special effect incredible. Besides, it also deconstructs the ontology of movie. DSE manifests the marvelous spectacles, the essentiality of movie. The high challenge status of marvelous spectacles not only takes on the incredible aesthetic effects but the narrative function of language description. The combination of marvelotis spectacles and virtual aesthetics corresponds with and satisfies the needs of target audiences in the consumption era. Thus, the deconstruction of DSE on the ontology of movie is the revolutionary construction essentially.
出处
《南昌大学学报（人文社会科学版）》
北大核心
2009年第6期122-127,共6页
Journal of Nanchang University(Humanities and Social Sciences)
关键词
电影数字特技
电影本体
“奇观”叙事
虚拟美学
DSE
ontology of movie
narration of marvelous spectacle
virtual aesthetics
