摘要
在德国的观念论哲学中,艺术哲学始终是一个重大的问题。作为德国古典哲学的集大成者,黑格尔坚持认为,艺术作品具有存在论意义上的历史性,古希腊的艺术宗教是艺术的最高典范,但宗教(主要是"天启宗教")与哲学比艺术更适合于表现真理。这三层意思既是黑格尔艺术哲学的重要环节,也是近现代西方艺术哲学为之而纷争不已的一片疆域。本文试图通过一些认真的分析与论证,阐明黑格尔既不是一个艺术上的"悲观主义者",并且他对艺术哲学所提出来的很多问题无疑具有不容轻易否定的革命性意义。同时,黑格尔所开辟的有关艺术哲学如何发展的理论向度,必须引起我们的高度重视。
The philosophy of art has been a major topic in German philosophy. As the great master of German classical philosophy, Hegel holds that works of art have the ontological historicalness, the religion of art in ancient Greece is the highest achievement of art, but religion and philosophy can reveal truth better than art, which are the key elements of Hegel’s philosophy of art and one source of controversies of the philosophy of art in the West. Through a detailed analysis, this paper proves that Hegel is not a pessimist in terms of art because many of his ideas on the philosophy of art have some revolutionary significance, and the theoretical orientation for the development of the philosophy of art initiated by Hegel deserves more studies.
出处
《云南大学学报（社会科学版）》
CSSCI
北大核心
2009年第6期63-71,共9页
The Journal of Yunnan University:Social Sciences Edition
