摘要
在晚明尚奇书风盛行的同时,以传统观念观照书法的态度作为一种惯性,还存在并以极为强硬的姿态对世风进行反拨。项穆的《书法雅言》可以说是声音最为强烈、态度最为坚决的。在《书法雅言?品格》一篇中,项穆明确提出自己的正宗观。项穆自小在一个艺术氛围浓厚的家庭中成长,父辈艺术风格与审美指向以及传统的思想教育对项穆产生了深远的影响。项穆正宗观的形成是家庭潜移默化的结果。
The style of strange esteem in calligraphy was popular in late Ming Dynasty; at the same time the traditional view on calligraphy existed and criticized the prevalent ethos pointedly. The view of Shu Fa Ya Yah by Xiang Mu was the most strong and unmoved. Xiang Mu established the concept of Orthodox in this book. He grew up in a family which had a deep love for art, so he was greatly influenced by the style of art and aesthetic tendency as well as the education of traditional ideology of this family. The development of Xiang Mu＇s Orthodox was a subtle result of the influence from his family.
出处
《重庆三峡学院学报》
2009年第5期108-111,共4页
Journal of Chongqing Three Gorges University
基金
教育部2008年度人文社会科学研究项目(08JC760010)晚明嘉兴项氏法书藏品研究成果
