摘要
"五四"时期,新文学倡导者在文学理论和创作实践中追求一种"综合的艺术作品",强调各种艺术门类的渗透。凌叔华既是"五四"时期重要的小说家,同时又是一位丹青妙手,自称"生平用工夫较多的艺术是画"。可以认为,中国传统绘画美学对其文学创作产生了一定的影响,笔者将从散点透视、圜道思维、系列小说等角度予以阐释。
In the period of the May 4th, the new literature advocators pursued a comprehensive work of art in literary theory and literary creation practice, and emphasized the mutual permeability of art subjects. Ling Shuhua is an important novelist, also is a painter. She claimed that she had spent more time and energy on painting in all her life. We can believe that Chinese traditional painting aesthetic had influenced on her literary creation to some extent. This paper illustrates these impacts form the angle view of cavalier perspective, natural circulation thought and novel series.
出处
《楚雄师范学院学报》
2009年第11期6-12,共7页
Journal of Chuxiong Normal University
