摘要
后结构主义文本理论主要体现在以德里达、巴特为代表的文本思想之中,以其鲜明的挑战姿态,消解主体、颠覆中心、打碎结构,强调"作者之死"、"写作零度"、"文本游戏"等,解构了传统的作者、作品、读者等概念。需要深思的是:"作品"成了"文本"背后蕴涵着深刻语境以及终极所指,目的并不是以所谓的"虚无主义"、"空洞的能指"、"话语游戏"等消解意义,而是后结构主义者以学术方式参与社会问题的思考、以重构自由平等的社会关系。在政治民主化、文化多元化、理论多样化的后现代时期,对之进行语境化梳理与挖掘,显得尤为必要和重要。
The representatives of the post-structural theorists are Derida and Barthes who advocate decomposition, abandoning of the original structure, and assuming the original writers dead, so as to reconstruct the traditional concepts of the authors, works, and readers. Contexts lie far behind the texts transferred from the original works. Post-structuralists participate in the social thinking in order to reconstruct a new social relationship of equality. This is significant with the political democracy, cultural multilateralization, and theoretical diversity in the post-modern times.
出处
《河北师范大学学报（哲学社会科学版）》
北大核心
2009年第6期61-68,共8页
Journal of Hebei Normal University(Philosophy and Social Sciences)
关键词
后结构主义
文本理论
重构
post-structuralism
theory of text
reconstruction
