摘要
中国传统山水画对自然中色光的体现有其特殊的方式。受儒道哲学体系的影响,自古以来画家们把现实中的黑白灰关系归纳为阴阳向背关系,并以其独特的方式——笔墨来表现。在中国传统山水画里不仅存在着色光的表现形式,而且对色光的表现是一种超越现实、又存在于现实,具有精神内涵的高级表达方式,是特有的一种形式。
The traditional Chinese landscape painting has its special way of using the chromatic light. Influenced by the Confucius philosophy, painters have classified the relationship between white and black into the opposite one between Yin and Yang, which is expressed with the unusual way： ink. The expression of the traditional Chinese painting is not only of chromatic light, but of surrealism, which exists in reality and is rich in spiritual connotation.
出处
《内江师范学院学报》
2009年第11期135-137,共3页
Journal of Neijiang Normal University
关键词
传统山水画
色光
色光存在
the traditional Chinese landscape painting
chromatic light
existence of chromatic light
