摘要
儒家解释《诗经》注重其社会、政治等方面的作用,没有遵循《诗经》是文学艺术这一根本原则,没有接触《诗经》作为诗歌的"诗性之美"。以《陈风.泽陂》为例,综合十种《诗经》注本关于此诗的解释,将汉儒、以至后来儒者加诸此诗上的种种迷雾吹散廓清,以发现其耀煜着先民情性之光、智慧之光、理想之光的诗性之美。
The explanation on the Book of Songs from Confucianism paid more attention to its social and political function rather than following the principle that the book is literature and art, therefore the beauty of the book＇s poetic nature was not touched. Taking Zebei of Chenfeng from the book as an example, this paper integrates all the explanations from ten annotated editions of the Book of Songs together to blow over various dense fogs on this poem imposed by Confucianism in Han Dynasty and subsequent Confucianists, therefore to find out its beauty of poetic nature which shines the light of temperament, wisdom and ideal of the ancients.
出处
《天津职业院校联合学报》
2009年第6期132-133,150,共3页
Journal of Tianjin Vocational Institutes
关键词
先秦文学
诗经·泽陂
主旨
literature before Qin Dynasty
the Book of Songs
Zebei
gist
