摘要
受江西诗派"无一字无来处"与"点铁成金"等创作理论的影响,宋代诗歌注释者赵次公在《杜诗先后解》中从用典之法与体格句法两方面总结了江西诗派之祖杜甫的诗法。用典之法包括对字、语、势、事的分析总结,其中的用事又包括专用、借用、直用、翻用、用其意不在字语中、展用、倒用、抽摘渗合而用、用方言之稳熟、用事之祖孙、暗用、叠用、化用、贴用、承用、用俗语常语等方面。体格句法包括了对诗体、诗格、通义、对仗、倒装、句眼的分析研究。
Under the influence of Jiang Xi Poem Genre ＂every word carries information＂, ＂golden touch＂ and other poem composing theories, Zhao Cigong, a poem scholiast in Song Dynasty, summarized Du Fu＇ s poem composing methods in his Dushixianhoujie with the methods of literary quotation and syntax. The methods of literary quotation included proper names, metonymy, simile, synecdoche, repetition and etc. ; while the methods of syntax comprised inversion, rhythm, metrical pattern, antithesis and etc..
出处
《西华大学学报（哲学社会科学版）》
2009年第5期35-39,共5页
Journal of Xihua University(Philosophy & Social Sciences)
关键词
赵次公
《杜诗先后解》
诗法
杜甫诗
江西诗派
Zhao Cigong
Dushixianhoujie
poem composing theory
Du Fu＇s poems
Jiang Xi Poem Genre
