摘要
小说的"多声部现象"主要从两个方面来展现,一方面在故事情节的主题上,小说充满了复调色彩;另一方面在小说的章节安排上,呈现出奏鸣曲式的文本结构。在小说《情人》中,围绕"爱"这一主题而产生的变奏,是衍生出"情人"这一身份的基础;在语言上,用小调的特征来体现小说的语言表达方式,是呈现小说音乐结构的必要手段。
The ＂multi-voice phenomenon＂ in The Lover, a novel of the French writer Marguerite Duras, is manifested in two ways. On the one hand, the novel is full of polyphonic color in the theme of the story; on the other hand, the novel shows a copy of the structure of sonata form in the arrangement of the chapters. In The Lover, the variations arising from the theme ＂love＂ are the foundation for the derivation of the identity ＂lover＂. In the language used to describe the characteristics of minor language expression of the novel is a novel structure of the necessary means to music.
出处
《西南农业大学学报（社会科学版）》
2009年第5期135-138,共4页
Journal of Southwest Agricultural University:Social Science Edition
关键词
杜拉斯《情人》
音乐结构
复调奏鸣曲式
小调式语言
The Lover of Marguerite Duras
music structure
polyphonic sonata form
minor language
