摘要
金湘先生的歌剧创作在我国当代歌剧领域上有着举足轻重的地位。本文结合当代音乐学研究的美学、史学和音乐创作等多个视角,对金湘本人提出的"歌剧思维"论作以具体分析和论证,指出了该创作观念在当代中国产生的特殊历史背景,分析了其歌剧创作美学的实质,对其历史价值做了深入剖析,并在此基础上阐述了作者在上述几个问题上的立场和观点。
Jin Xiang＇s opera work played a very important role in the file of modern opera in China. From the viewpoints of contemporary musicological aesthetics, history and music creation, the article analyzed Jin Xiang＇s idea of ＂opera thinking＂, pointed out the historical background of the creative conception in modern China, explored the aesthetics essential of his opera composition, as well as its historical value, then expatiated the writer＇s own ideas and positions on those issues above.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2009年第4期102-112,共11页
Huangzhong:Journal of Wuhan Conservatory of Music
基金
教育部人文社会科学音乐学重大研究课题"中国歌剧与音乐剧发展状况研究"研究成果之一
课题批准号为:08JJD760083
关键词
思维
“歌剧思维”
美学实质
历史价值
thinking, opera thinking, aesthetics essential, historical value
