摘要
卫慧的《上海宝贝》、棉棉的《糖》、九丹的《乌鸦》不是"身体写作",而应是"身心写作"。小说的问题在于性描写的泛滥、边缘性生活的记载以及自私性的人生态度。问题虽然表现在小说中,根源却在90年代以来边缘化写作潮流和女性主义文化思潮在中国的简单化。
The article points out that Weihui's Shanghai Darling, Mianmian's Sugar and Jiudan's Crow is a body and mind writing, not just a body writing. The problems of these novels are prevalence of sex description, recording of the marginalization of sex life and selfish life attitude,which had an origin in the tide of brink writing and simplification of feminist cultural thoughts in China since 1990s.
出处
《江苏科技大学学报(社会科学版)》
2009年第3期68-73,共6页
Journal of Jiangsu University of Science and Technology(Social Science Edition)
关键词
身心写作
边缘化
女性主义
简单化
body and mind writing
marginalization
Feminism
simplification