摘要
目前对汉魏六朝的琴赋音乐美学思想之研究尚未充分展开。在这一时期十三篇琴赋的飞扬文采之中,包含着一些音乐美学思想,从中可以窥见汉魏六朝之际器乐审美思潮之概况,即材料选用与制作的"梧桐天性美"、演奏过程的"潇洒风度美"、赏析过程的"渐入佳境美"、艺术效果的"怡心养性美"、艺术感染力的"众物乐其美"等五大音乐美学风貌。
At present, the research, which is on the musical aesthetic ideology embodied in the musical instrument and odes from Han to Jin Dynasties, has not been fully carried out. During this period, these very thirteen pieces of odes contain certain musical aesthetic ideology elements, which mirrors the overview of people＇s taste to instnanental music, that is, the born - beauty of phoenix tree in material selection and fabrication; beauty of ease and grace in giving the intnanental performance;processive beauty in odes appreciating; beauty of heart - pleasing and personality - developing in the artistic effects;beauty of universal resonance in artistic appeal. Thus, the odes in this period have reflected the above five main styles and features on musical aesthetic ideology.
出处
《山东师范大学学报（人文社会科学版）》
北大核心
2009年第5期63-66,共4页
Journal of Shandong Normal University(Humanities and Social Sciences)
关键词
汉魏六朝琴赋
音乐美学思想
材料美
演奏美
赏析美
效果美
感染力度美
odes
musical aesthetic ideology
material beauty
performance beauty appreciation beauty
artistic - effect beauty
artistic - appeal beauty
