摘要
对沦陷时期存在于中国东北地区的"满洲映画协会"及其拍摄的电影的研究,因中国、日本和美国学者的历史观和文献掌握情况的不同而呈现出较大的分歧。我们必须将满映置于日本建立的战时东亚电影统制体系之内,对日本殖民主义者推行的电影政策进行考察,对现存的电影作品进行深入的文本分析,才能认清其本质。
The researches on the Manchuria Film Association which existed in the period of Japanese Occupation of Northeast China and its films present larger differences because the scholars from China,Japan and America have different historical viewpoints and different literatures. Only by placing the Manchuria Film Association in the system of the East Asian films established during the wartime by Japan, inspecting the film policy implemented by the Japanese colonialists and analyzing the texts of the existing film works in depth can we understand its essence.
出处
《外国问题研究》
2009年第3期53-59,共7页
FOREIGN HISTORY STUDIES
关键词
满映
研究史
历史叙述
Manchuria Film
research history
historical narration
