摘要
"左联"时期,丁玲的创作几乎都带有一个"革命"叙事的框架,在她的"革命+恋爱"题材的小说、与恋爱无关的知识分子题材的小说和表现工农大众题材的小说中,丁玲依循革命叙事模式,在理性层面人为地建构起一个"革命"叙事的框架;在潜意识层面却不自觉地保留着固有的个性化立场,并在"革命"叙事的过程中不时插入自己的个性话语,从而导致了文本的叙事结构出现了难以弥合的裂缝。
There is always a revolutional narration framework in Dingling's novel in left period. In her novel about "Revolution and Love" theme, the novel about the intellectuals without concerning loves and the novel about workers and peasnts, Ding Ling followed the revolutionary narrative pattem, and constructed artificially the narrative framework of "revolution" in a rational level, but she automatically retained inherent personalized position in subconscious level and also added personal discourse in revolutional narration, which caused a hard hiatus in narration structure.
出处
《莆田学院学报》
2009年第4期62-66,共5页
Journal of putian University
关键词
丁玲
小说
左联
叙事结构
Dingling
novels
left-wing association
narration structure