摘要
清代乾嘉时期是中国传统学术文化由理学迈向朴学之重要转型期,也是中国戏曲评点理论发生转变的关键期。清代戏曲评点在清初顺、康年间达到鼎盛,乾隆以后又迅速走向衰落。较清初而言,乾嘉时期的初戏曲评点在延续中有变化,主要表现在:戏曲叙事结构理论的延续与变异、形式批评的崇尚和反剧场化的艺术追求。这是时代思潮规训和文人戏曲评点家忽视戏曲综合性艺术的"类"特征二者合力的结果,标志着古典戏曲评点日渐走向衰亡。
The period of Qian and Jia of Qing Dynasty is an important transition period of Chinese traditional academic cnlture from neo - confucianism to pu - learning, is also a the critical period that the theory of Chinese opera commentary changes. Opera commentary of Qing Dynasty reach its peak in the period of Shun and Kang, , the period of Qianloug rapidly declines. Than the early Qing Dynasty, opera commentary in the period of Qian and Jia has changed, mainly reflected in： continuationand variation of the theory of narrative structure of opera, advocating form criticism and anti - theater - oriented art. This is the results of the era of thought discipline and opera commentaries ignore the characteristics of opera comprehensive art, marking the gradual demise of classical opera commentaries.
出处
《北方论丛》
CSSCI
北大核心
2009年第5期21-24,共4页
The Northern Forum
关键词
乾嘉
戏曲评点
叙事结构
形式批评
反剧场化
the period of Qian - Jia
opera cornmentay
narrative structure
the form of criticism
anti - theater
