摘要
随着自然主义的思潮涌进中国,中国作家的作品中也逐渐透露出诸多自然主义写作原则。一部《半生缘》描述了一段擦肩而过的爱情,道尽了世间的无奈,也暗暗透露出作者浓厚的悲观主义色彩。探究其描写手法,我们发现张爱玲女士在写作中运用了很多自然主义的描写原则,无意或有意,我们不得而知。诚然,在中国文坛上始终没能出现一支明确标榜"自然主义文学"的流派,但自然主义的创作方法和文学观念则渗透在中国文学的各种不同流派之中,对20世纪的中国文学起到了深远的影响。
With the development of the naturalism, this literary trends of thoughts has begun to emerge in large numbers of the Chinese writers＇ works. Half Life of Fate written by Eileen Zhang describes a love that the characters have no choice but to let it go. By appreciating this Chinese novel, we can feel a intensive pessimism revealed through the lines, which coincides with the writing prineipes of the western naturalism. Although, in Chinese literary world, there has never existed a school named ＂naturalism＂, but its writing method and literary ideas have already infiltrated in different schools of Chinese literature of the 20th century, and left a profound influence.
出处
《创新》
2009年第5期91-94,共4页
Innovation
关键词
自然主义
左拉
张爱玲
体现
naturalism
Emile Zola
Eileen Zhang
embodiment
