摘要
"五四"新文学的启蒙诉求有两种基本的价值向度:一是知识分子的自我精神救赎,一是知识分子对于民众的救赎,在具体的文学实践过程中,底层民众的生存境遇和精神状况始终成为最基本的也是首要的书写对象,它构成了"五四"新文化(新文学)与传统文化(文学)的本质区别,也显示着文化(文学)的现代性与非现代性的"质"的内涵。"五四"新文学启扬的这种精神文化指向,成为中国现代文学最重要的传统,它不断延伸、发展、深化,对于整体的20世纪中国文学产生了极为深远的影响。特别是新世纪以来的"底层"写作,是对"五四"新文学启蒙指向的当下回应或循环,它构成了两个不同世纪交合点上中国文学最为显眼也最富有意味的文学现象,但同时,也显在地呈示出不同时代、不同文化背景下作家创作的精神落差与审美追求。
The May-4th New Literature presented two enlightening basic ideological demands, namely, salvation of intellectual individuality and intellectual salvation of common people. In literary practice, the May-4th writers first and primarily of existing situation and mental state of broad common people at the bottom of society, which differentiated the May-4th New Literature （culture） essentially from traditional literature （culture）, and which manifested modernity and non-modernity of literature （culture） in essence. This orientation of spiritual culture started by the May-4th New Literature has become the most important tradition of Chinese modern literature, which has steadily extended, developed, and deepened, exercising very profound influence on the 20th-eentury Chinese literature as a whole.
出处
《陕西师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2009年第5期55-62,共8页
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
关键词
“五四”新文学
文学启蒙
底层写作
the May-4th New Literature
literary enlightenment
grass-root writing
