摘要
改革开放以来的中国审美文化的发展大致经历了三个阶段:一是20世纪70年代末到80年代中期的"日常生活审美化"阶段;二是80年代后期至90年代中期的"图像时代";三是90年代末迄今为止的"身体美学"阶段。中国审美文化发展的三个阶段一方面相互镶嵌啮合;另一方面又各具独立而鲜明的特色,构成了一种包含多层悖论式的相异面之间的融合文化,体现了现代与后现代相交织的特点,也体现了西方文化与东方文化相冲突与融合的特征。未来的审美文化就发生于人与不断被疏离的自身的抗争之中。
Chinese aesthetic culture had experienced three stages from Aesthetic everyday life to the image time to somaesthetic in nearly 30 years.It aroused people’s subjective consciousness,promoted the emancipation of women and sensibility,played an important role in the scientification of aesthetics.But at the same time, the inundant sensibility of contemporary aesthetic culture led to the crisis of imaestheticization,such as the alienation between human and nature,the overfull worship of oomph and so on.Home to human spirits based on the reconstruction of aesthetic self-discipline.
出处
《清华大学学报（哲学社会科学版）》
CSSCI
北大核心
2009年第4期74-80,共7页
Journal of Tsinghua University(Philosophy and Social Sciences)
