摘要
《红楼梦》作为中国晚期封建社会的生活悲剧的百科全书,它无处不是死亡。由于作者家族的悲剧和他所处时代和阶级的局限,曹雪芹只能借助"死亡"对封建末世发出强烈的控拆。他将这种死亡意识投射于《红楼梦》中,创造了以死为开端、以死为结局的死亡叙事结构,借助作品人物的死亡强烈地控拆着封建社会的罪恶。
A Dream of Red Mansions as the Encyclopedia of the tragedy of life of the late Chinese feudal society, everywhere is death. As a result of the tragedy of the author’s family and his times and class limitations, CAO Xueqin can only use death to express strong com- plain against the feudal dynast. He put the death of his awareness through A Dream of Red Mansions, the creation of a death as the start and end in death for the death of narrative structure, using the death of work characters strongly complain against evil of the feudal society.
出处
《广东技术师范学院学报》
2009年第7期25-27,共3页
Journal of Guangdong Polytechnic Normal University
关键词
红楼梦
死亡
死亡情结
悲剧
A Dream of Red Mansions
death
death complex
tragedy
