摘要
图像叙事依赖于"顷间"选取,选择不同的顷间有不同的意味和作用,图像所传递的信息和表现效果也各不相同。在中国传统绘画图像史中不同历史时期图像"顷间"的选取也各有侧重和差异。原始时期的岩画多为一般性顷间,秦汉绘画呈现出典型的"决定性"顷间,而隋唐佛教绘画与宋元之后的文人画则与场景性象征和符号性象征顷间相联系。
Image narrative relies on the choice of ‘moment’, so to choose different moment will show different meaning and function, and the information and expressing effects that the images transfer will be different also. In the image history of traditional Chinese painting, there were different stresses during the image selection in different times. The rock paintings in the primary age were mostly general moments, and there were typical ‘decisive’ moments in paintings in the Qin and Han Dynasties, while the Buddhist paintings in the Sui and Tang Dynasties, as well as the literal paintings in the Song and Yuan were in relation to scenic and signing symbols.
出处
《南京艺术学院学报（美术与设计）》
北大核心
2009年第4期23-28,共6页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
图像叙事
传统绘画
“顷间”
Image narrative,traditional painting,‘moment’
