摘要
杨羽仪是新时期广东散文创作一位重要的代表作家。他的前期作品一部分是以少年儿童为读者对象的儿童散文,一部分是描写岭南乡土、民风、人情的乡土散文,总体风格师承杨朔,以歌颂新时期人民的幸福生活为主调,追求诗意甜美;20世纪80年代初作者深入生活,创作内容不断丰富,创作风格有所转变,开始注重对人精神层面的挖掘,注重对现实生活中时代美的挖掘;创作视野进一步拓展,在历史与现实的冲突中,有意识地引导人们对生活、历史、社会、人生进行反思,感情悲悯而超脱,营造出一种历史的悲壮美,实现了创作内容及思想的升华。
Yang Yuyi is one of the leading writers of the new period prose in Guangdong province. In his over 30-year-long literary career, he has published 17 collections of prose. His early works were partly for the children readers and partly ＂local colour＂ prose describing the native customs, manners and feelings of the South of the Five Ridges. Generally speaking, those works followed Yang Shuo＇s style of writing to sing in the sweet and beautiful poetic language the praises of the happy life in the new period. In the early 1980s, Yang Yuyi plunged twice into the thick of life to enrich his literary creations, and as a result he began to pay more attention to the spiritual exploration and the characteristic temper of the time. His three ＂perilous＂ vagrancies in particular have broadened his vision, and he is consciously trying to guide his readers to a profound rethinking of history, society and life in the clash between history and reality. Sympathetic and detached, he has refined his prose creation with that tragic beauty of historical grandeur and solemnity.
出处
《广州大学学报（社会科学版）》
2009年第6期87-91,共5页
Journal of Guangzhou University:Social Science Edition
关键词
杨羽仪散文
诗意美
时代美
悲壮美
Yang Yuyi＇s prose
poetic beauty
epoch beauty
tragic beauty
