摘要
在后现代语境下,西方主要是英美,其文化研究和批判的对象不再是"精英文化",而主要是大众消费文化。大众消费文化随当今传媒起舞,颠覆了艺术领域隔离于大众文化其他领域这一固有观念。文章试以当代音乐剧《歌剧魅影》为例,探讨后现代语境下的大众消费文化镜像,并对当代中国大众消费文化镜像进行分析和展望。
In the post-modern context, the Western mainly Anglo-American cultural studies and the target of criticism is no longer a ＂cultural elite＂, but mainly a mass consumer culture. With the media dance of today＇s mass consumer culture, the inherent concept that the art is isolated from the areas of other mass culture has been subverted. The paper tries to probe into the mass consumer culture mirror and gives an analysis and outlook of the contemporary mass consumer culture mirror in China with the contemporary musical ＂The Phantom of the Opera＂ as an example.
出处
《合肥工业大学学报（社会科学版）》
2009年第4期86-89,共4页
Journal of Hefei University of Technology(Social Sciences)
关键词
后现代
大众消费文化
传媒
颠覆
post-modern
mass consumer culture
media
subversive
